From a circus version of “Acis + Galatea” to a cabaret version of “Carmen” from a staging of “Messiah” to a Kurt Weill evening with Sylvia McNair that dramatized homelessness after Katarina from a staging of the ancient Fleury manuscript to a world premiere staging of “The Gonzales Cantata”… George Crumb and Francios Couperin in one theatrical evening, and American premiers of “La Didone” and “David et Jonathas”, “Butterfly” with gamelan consort, John Downland to explore the grief of a lost loved one, Messiaen’s epic “Harawi” as a journey to transcendence, and the list goes on.Īmerican Opera Theater has been formative in the lives of so many young artists, and we thank audiences and supporters alike for taking time in this busy world to stop and listen.
For the past 8 years AOT has been a presenter of innovative musical works that broaden the definition of opera.
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